
BIOGRAPHY
Matthew Liam Nicholson is a composer and recording artist whose mesmerizing, subversive work bridges electro-acoustic ambient music, poetic dream-pop and contemporary ensemble composition, often extending into spiritually resonant, immersive meditative works for sound baths, art galleries and other contemplative listening environments. His background in indie rock and experimental music flows naturally into collaborations across film music and sync.
Working across media scoring, composition, recording and album production for multiple decades, he has scored numerous short films, documentaries, features and art installations. His work has appeared at the Tribeca Festival and most recently at DOC NYC, where the documentary Y’Van: The Lost Sounds of Saigon—celebrated its world premiere ahead of release later this year - on which Nicholson recently completed almost 2 years of work.
Seamlessly moving through ambient, folk, rock, experimental, pop, electronic, psychedelic, modern classical, world, minimal and maximal modes, Nicholson's innovative work explores unity in diversity.
Collaboration and community building are central to Nicholson’s art. In 2018, from his home in Los Feliz, Nicholson began hosting a series of string salon concerts with friends. From these gatherings emerged an ensemble now called Authority Figurines and nascent label collective called METONYM, which has since bloomed into an ongoing concert series with LA collaborators including Miguel Atwood-Ferguson, Brendan Eder & Joshua Rubin.
METONYM ran a concert series throughout 2025, gifted for free to our community, recorded everything - and is now preparing a series new releases.
Filmmakers drawn to composers such as Gustavo Santaolalla, Warren Ellis, Mica Levi will likely find a natural affinity with Nicholson’s work.
He is interested in developing further collaborations in film scoring with thoughtful and innovative creative teams.
PRESS
“Ambient music can often be theoretical or medicinal;
this record is both”
- The Guardian
"Overwhelming compositional talents and production styles"
- Boomkat
"Orchestral ranks marshaled with stunning composure and restraint"
- Uncut
"A sonic kaleidoscope”
- Vice
"Almost impossibly beautiful... pristine folk, field recordings, pop melodies, jazz-like bursts of dissonance and sampled world music intervals,...immediately arresting"
- Dusted
"The raw thrashing of rustic instrumentation treads alongside mercurial, abstract electronics, forging a sublime juxtaposition."
- Nuemu
“Angelic textures, dreamy pop songs, aerial drones, sumptuous arrangements and improvisations.....music that is shared between families, between people with similar sensitivity. Masterpiece."
- Rock It To The Moon
"Australian-born Matthew Liam Nicholson creates ethereal experimental folk rock, combining unexpected instrumentation with haunting melodies to create a universe all his own...with a timeless quality that puts him far above the average singer/songwriter. For fans of Sufjan Stevens, Father John Misty & Animal Collective"
- Koze Music
"If pain persists, put it on again."
- Sydney Morning Herald



Why hire me?
01
Unique skillset, experience, sensibility
As composer, musical director, multi-instrumentalist, band leader, sound artist, guitarist, singer, songwriter, record producer and sensitive team player, I am able to take as much creative direction in a project as is appropriate.
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02
Articulate communicator
Music is communication - and knowing how to communicate creatively about music for any specific purpose is as important as being able to compose it, when relating with a team.
03
Born collaborator
I'm very grateful to have had the opportunity to have ollaborated with hundreds of creatives across this planet. I'm sensitive to what any team or project requires to thrive in the music department - and bring all my intelligence, humor, energy and connections to making it so.
04
My global network of musicians
Blessed with a lot of stupendously talented artist friends all over the world, I enjoy ongoing collaborations with a diverse range of musicians across a spectrum of musical approaches, to call on for parts whenever it is required.


